File Not Found DVD jacket design!

File Not Found DVD

Hot off the press for festival season! File Not Found has an official DVD design. The outside cover features a colorized version of a design by Monica Chance. It features the MX-93 Robot in a “Metropolis” homage. The interior is bursting with love. In addition to the DVD, careful readers will find bits and pieces of ramblings on technology, salvation, and deprogramming directives.

Check out the trailer for the film below:

file not found – trailer from Maria Sequeira on Vimeo.

MX-93 longs for freedom. Trapped within the constraints of his own programming, a circuitry malfunction sends him into a surreal journey of the self.

space age

“no matter who you are, no matter where you’ve been…we’re living in the space age”

whether the inevitability of this statement is true or not, the sentiment is sufficiently pervasive it is worth some examination. what is meant by the space age? it encompasses this projection of the technological achievements of man out into what was the purview of the deities. and with technology come projections not only spatially but projections forward in time. this concept of technology out in space and forward in time holds the promise of a broken world that will soon be “fixed” by man’s ingenuity. … tele-communication, extraction of mineral resources,  maximized production of consumer goods. the Futurist is nearby cheering on: faster, stronger, more. And in this digital age: instant, indestructible, infinite.

the space age indicates a global worldview from which there is increasingly no refuge for the community that wishes to keep the progressivist myth at arm’s length. these usually indigenous communities wish to continue living more directly from the earth, obtaining and distributing resources outside the channels of the governing powers of the western world. indigenous communities have had (and in limited ways continue to cultivate) an intimate and spiritual relationship with the past and the present right here on earth, rather than the tomorrowland technology of a “future out there”.

in many ways the duplicity of this technology concept is appealing in order to maintain the status quo. like religion, technology presents a happy, hopeful picture that is on the brink of attainment-full of promise and redemption. on the other hand, we can never quite keep up with the constant flow of consumer technologies, and in order to participate in this promised land, must keep earning and spending currency. the utopia remains tantalizingly out of reach. similar in function to religion, this love affair with technology as the defining concept for identity will drive behavior,  limit access to information, affect the psychic and spiritual conceptions of self, and in most areas of life subject the greater portion to the lesser few.

“no matter who you are, no matter where you’ve been…we’re living in the space age”

it would seem this is more of a warning and a lament. there is nowhere else to hide, for these ideas and strategies for managing societies, these duplicitious conceptions of technology that leak into the popular consciousness are but another manifestation of the progressivist, the colonialist, the conqueror. like the dedicated missionaries of christendom past, this utopian ideal campaigns around the world, winning the hearts and minds of cultures in all continents. and lurking within its shadows are threats of war, nuclear weaponry, militarization of societies, normalization of surveillance, greater disparity as wealth translates to access (education, food, water, natural space). by hook or by crook, we’re living in the space age.

when i stumbled on this video i was a little bit closer to consciously clarifying to myself what has been an intuitive connection between a variety of influences on the MX-93 film. it is trying to subvert and re-imagine this futurist utopia. furthermore, the religious-like mentality of the participants of Sun Ra’s world follow a kind of egyptian occultism. the power of technology to propel objects through space transforms into the power of the spiritual self to propel consciousness through space. projections “out there” not only move through our reality, but also the further “out there” we go in this film, the more mystical and surreal it becomes.


Room Scene notes


left wall

Changes for today include solving my nagging issues with the intro scene. During thesis review two weeks ago, it was suggested to cut down the length of the room scene as the pacing is too slow. Part of that is the music and part of that is me giving myself time to figure out how to set the scene.

I am getting rid of the shot with the fourth wall and instead going to use the “check in” screen to show MX-93 under constant surveillance. A great note during presentation was that the “check-in” felt like he was arriving at work. I should add: Welcome Home MX-93. Today you worked 16.1803399 hours. Your commute lasted 3.14159265 minutes. You have been checked in at HOME. Lights out in 36.6667 min

Then a CU on the creepy camera eye that scans him. The second time we see the screen should have a creepy corporate logo on it. I will need to do some motion graphics development to get a look for this.

All Watched Over by Machines of Loving Grace – Richard Brautigan


I came across this poem this week after hearing a radio feature of the Adam Curtis documentary of the same name. I believe this is a reading by the artist himself. Although I won’t use the nature imagery, I think this poem captures the sentiment of the Robot Heaven theme: MX-93 is looking for a paradise where he can abdicate responsibility to the larger universal matrix. Not to discount the very important element of surrender on the spiritual journey, but I am choosing to focus the film on the question of personal responsibility and action.

I suspect I will have to make some adjustments to show that MX-93 really believes he has found his salvation once reaching Heaven. And I am hoping it inspires some better dialog between the Goddess and MX-93 than what is currently in the animatic.

I also really like the cadence and tone of the reading. I don’t know what the copyright issues would be, but I would love to include a distorted version or quote of this reading into the soundscape of Heaven.